YOSHITSUNE COMES TO KYOTO
N THE LAND OF SUNLIGHT’S WAKING
Where the ancient kami dwell,
In the realm of the Mikado
On his Golden-Flower Throne,
At the Heian Era’s ending—
Age of courtly grace and splendour
When all arts and letters flourished
In the capital of Kyō—
Came a time of bitter battle
Pitting clans against each other
In a deathly, tragic struggle
For the primacy of power.
On one side, the noble Genji,
Also called the Minamoto,
Proud and valourous and righteous
But disgraced and scattered now
By their hated foe, the Heike,
Dreadful, crafty House of Taira,
Who took dominance by guile,
Seizing all the western lands.
Now one scion of the Genji,
Minamoto Yoshitsune,
Orphaned by his rebel father
When the Taira rose to power
Grown at long last into manhood,
Sworn to clear his family’s name,
Ventured finally to Kyoto,
Where the Heike clansmen ruled—
Hoping there to learn some secrets
Of his enemy’s position,
Gain some knowledge that could help him
In his pious, vengeful quest.
So the youthful prince of Genji
Made his way with cautious footsteps
Down the avenues of Kyoto—
Broad and spacious, straight as spear-shafts
But now only sparsely peopled
By some furtive few townspeople
Out for evening entertainment
In the dimming summer gloaming
Underneath a rising moon.
Moonlight glinted on his corslet
Wrought of finest lacquered leather
Held by cords of silk well-knotted
And with silver ornamented.
Clad in white he went a-walking
Glimmering, ghostly in the starlight
Swift and sure and light his footsteps
Straight and proud his noble posture
Like a forest spirit gliding
Out from underneath the pines.
He had heard a rumour lately
In a little wayside ryokan
Of a hothead mountain mystic
(Someone said he’d come from Hiei
But had quarrelled with his abbot)
Who had settled in the city,
Making mischief, starting squabbles,
Threatening noblemen’s retainers
Causing trouble for the Taira
In whatever ways he could.
City constables were cowards
In the face of this newcomer—
For they feared to lay a finger
On a man in holy orders
Even though he caused such chaos
Under ordered Taira rule.
Yoshitsune needed allies,
Needed men to fight beside him,
Faithful bannermen who’d follow
When he went to war at last,
And he thought this monk might aid him
Might become his sworn retainer
If approached with understanding,
Met with courtesy and cunning
And a wary, watchful eye.
As he walked, the prince of Genji
Played a bamboo flute at whiles
Softly blowing out the music
Of the wind among the branches
Bringing hints of rustic idylls
To the stern, confining sameness
Of the avenues of Kyoto—
Music learned in Hiraizumi
Where the prince had lately studied
Far away from clannish struggles
And from deadly politics.
OSHITSUNE, as he wandered,
Had no fear of recognition
Even here among the Heike—
When the foe had last beheld him,
He had been a boy of ten.
So he wandered, ever watchful,
Playing on his shakuhachi
Taking note of all he witnessed
In the quiet, darkening city.
City-dwellers gave no greeting,
Scarcely noticed him in passing,
As they went about their business—
Poets drinking in the taverns,
Nobles visiting their lovers,
Entertainers playing music
In the urban pleasure quarters—
So he paid them little mind.
Soon, he reached his destination,
Where across the Kamo River
Sturdy Gojo Bridge was settled
Arcing gently over water
Flowing lazy through the city
’Til it joined Katsuragawa
Past the southern end of town.
Here no lamplighters would venture
Since the monk had first descended
From his monastery fastness
On the slopes of Hiei’s mountain—
Come to grapple and to wrangle
With the Taira tyrant’s blades.
So with only moon- and starlight
Glancing coldly on the water
Yoshitsune strained his vision
As he sought his mountain man.
He at last descried a figure
Standing tall and broad before him
In the middle of the causeway
Moonlight shining on a forehead
Bald as any river pebble
And he knew he’d found his man!
He allowed himself a smile
As he ceased his idle fluting,
Tucking shakuhachi safely
In his belt beside his sword.
“Greetings to you, good obō-san!”
Called the youthful prince of Genji,
“I would test my blade against you
If you have the time to spare.”
DUEL ON GOJO BRIDGE
UT he strode, the monk so mighty
Laughing on the bridge, and fearsome
Calling out to mock this challenge,
Mock this prince of Minamoto!
Standing like a wargod, waiting,
Towering like a gnarled cedar,
Rolling eyes and rumbled taunting,
Cried this monk on Gojo Bridge:
“Who is this who comes to meet me?
Comes to make himself my foeman?
Nine and ninety swords I’ve taken,
Won by dueling with great masters,
Hundreds more, nine hundred others
Have I taken from young striplings
Callow, foolish, mewling infants!
What’s one more to make a thousand,
Taken from another coward?
Saito Musashibo Benkei
Fears no man, nor devil hell-spawned!
What’s this pretty princeling boasting?
What hopes he to gain in fighting?
Fame and honour for his family—
Doubtless Taira scum they be!
Or a record of some victory
For to show his master then,
For to win a higher ranking
In the company of clansmen?
Folly! All these petty trifles,
Folly like the rest I’ve done with!
Unenlightened wastrel children,
Ignorant of Buddha’s teaching!”
Calmly Yoshitsune answered,
Measuring his words with care,
Showing not a sign of worry,
As he met the giant’s gaze.
“I have heard the rumours of you
Spreading through the country lately.
People say you are a goblin,
Born in wild mountain country!
All I see here is a ruffian,
Stealing swords and frightening women.
As for taking this blade from me,
I’m afraid I can’t part with it.
If you want it, try and claim it!
—But I won’t just let you have it.”
Benkei, with a fearsome bellow,
Drew his sword with sweeping gesture,
Lunging like a striking tiger,
Taking strides as long as horses’,
Closing with a dreadsome quickness
On the prince of Minamoto.
Yoshitsune drew his weapon,
Flashing in the pearly moonlight,
But assumed no warding posture
As the massive monk drew near.
Rather, swiftly darting forward,
Yoshitsune countered boldly
Running out to meet the giant
With a deft and careful blow.
Benkei sprang back, shouting, cursing,
“Even gods dare not oppose me!”
Startled by this nimble counter,
Benkei swung with graceless fury
For the prince’s crown to sunder—
But again, his foe was ready,
Ducking out beneath his blade.
With a crack the sword struck deeply
In the bridge’s wooden railing,
Fast embedded there, unyielding,
As the monk tried to dislodge it.
Yoshitsune spun and kicked him
With a strength his size belying,
Lashing out to strike the giant
With precisely measured skill.
Benkei staggered from the impact,
Reeling back, exhaling sharply,
Gasping, raging, full of wonder
At the prince of Minamoto.
Benkei’s sword flew from his fingers,
Slipped away and harmless, clattered,
To the cobblestones beneath him.
Dropping like a stone to catch it,
Yoshitsune snatched the weapon,
Shouting with a piercing focus,
Leaping back and bounding upwards,
Bounding up the wall beside them,
Swinging up to stand atop it,
There to stare down at his foe.
Benkei shook his head and, blinking,
Gazed in disbelief and anger
At the Genji prince’s vantage
High above him on the wall,
Half-suspecting him a devil
Through astonishment and pain.
“Now hear this, you lawless scoundrel!”
Yoshitsune called down to him,
“I’ll not tolerate your foolish,
Churlish tricks and petty thieving.
I should keep your sword as payment
For the trouble you have caused me,
But I’d hate for you to think that
I had need of such a trinket.”
Saying this he took the weapon,
Braced it up against the wall-top,
Bent it out of shape, and careless,
Cast it down before his foe.
ILENTLY the monk stood, seething,
Staring at his mangled weapon,
Till at last, he stooped to take it,
Bent it straight again by hand.
Sullenly he glanced above him,
Where the prince still, hawk-like, waited.
Bitterly, he swore to kill him,
When he ventured down again.
Yoshitsune smiled wryly,
From the safety of the wall-top,
Smiled cheekily at Benkei
As he taunted him in turn.
“I have heard so many stories,
Of the monks of Hiei Mountain,
How those monks are so ferocious—
Gods, or monsters, more than mortals!
I am sorely disappointed,
If indeed you hail from Hiei,
For in truth you seem no better
Than some hairy northern knave!”
With a laugh he sprang down lightly
From his high perch on the wall-top,
But the giant monk was waiting,
And he lunged with savage quickness,
Lashing out with Hiei’s cunning,
And a brutal, bestial power.
But the Genji prince perceived it,
Saw, impossibly, the danger,
When the fatal blow was striking,
When the blade was slicing toward him,
Cutting through the air, and whistling,
As it carved an arc of anger,
Splitting through the river-fog.
Just before the blade could reach him,
Genji’s prince recalled his learning,
In a flash, recalled the teachings,
Secrets of the Middle Kingdom,
Taught by tengu in the mountains,
In his boyhood in Kurama.
With a sudden cry he halted,
Midway through his earthward plummet,
Like a dragonfly he halted—
For an instant, but enough.
Out he lashed with both his feet, then,
First with one, and then the other,
Squarely striking Benkei’s face and
Leaping from him back to safety,
Kicking off as from a hillock,
Landing on his perch again.
For a moment there was silence,
As the two surveyed each other—
Benkei panting, awestruck, speechless,
Vision swimming, sounds all ringing,
Feeling more of shock than pain,
Yoshitsune only winded,
Shaken by the sudden effort
Of the strange and secret art.
There they paused, for just a moment—
Long enough for understanding.
Turning then, the prince of Genji
Disappeared into the darkness,
Running on the rooftops, laughing
With the lightness of a bird.
MEETING IN KIYOMIZU TEMPLE
N the evening after Benkei
Battled with the prince of Genji,
Worshipers from many places
Came to fill Kiyomizu-dera—
Temple of the goddess Kannon
Bodhisattva of compassion—
Thronging in the hall at sunset
Listening with prayerful reverence
To the chanting of the clerics
As they sang their evening office,
Reading sutras out with care.
Benkei still was in a dudgeon
After his humiliation—
All the night and day he’d brooded,
Pacing like an angry tiger,
Scheming how to teach a lesson
To the prince of Minamoto.
Now he waited by the temple
Hoping there to see his quarry
Going in to worship there.
Though he watched each passing figure
Scowlingly, with bristling eyebrows
Taking note of height and figure
Straining to discern his foe,
Benkei never saw the swordsman
There among the temple crowd.
When at last he turned, disgusted
From the great gate of Kiyomizu,
Ready to give up his spying
And retire for the evening,
Benkei heard a distant fluting
Faint and sweet upon the breezes
Elegant and strange and winsome,
Sounding with a northern note.
“Here at last!” said Benkei, grinning,
“Surely that’s no other piper
Than the scamp from last night’s tussle—
No one else could play so well!”
Benkei paused before the gateway,
As the blood within him quickened
Muttering a prayer to Kannon
Ere he went upon his way.
“This great shrine was consecrated
By the Sakanoue shogun
To the all-compassionate Kannon—
By the truth illuminated
But to service dedicated,
Vowed to answer all petitions
While in three and thirty guises
Walking in the world of mortals,
Perfect bliss kindly deferring
In the service of mankind.
“Kannon promises good fortune
To all supplicants who enter
In the spacious temple precincts
For to call upon her name.
I don’t ask for luck, great Kannon—
Simply let me take that sword!”
Saying this, he squared his shoulders,
Wide apart his feet he planted,
Watching with renewed attention
For the coming of his foe.
Meanwhile Yoshitsune halted
On his way up to the temple—
Suddenly, and without warning
Clutched by subtle apprehension.
With a wary eye he squinted
At the hilltop temple’s gateway.
Seeing there the bulk of Benkei—
Silhouetted by the the sunset
Armed with sword and naginata,
Clad in cuirass black as onyx,
Waiting for the prince of Genji—
Yoshitsune gripped the pommel
Of his cherished heirloom sword.
“Well!” said Benkei, smiling grimly,
“If it isn’t last night’s stranger,
Whom I fought against at Tenjin!
Will you give your sword, or won’t you,
To complete my fine collection?”
“You may ask until you’re weary,”
Said the prince of Minamoto,
“But I’ll never turn it over.
If you want it, fight me for it!”
“Still, this boasting!” Benkei shouted,
Charging down the hill and roaring
Incoherent, bearish curses
As he swept his naginata
In a furious crescent arc.
Yoshitsune, deftly stepping
With discouraging adroitness
Parried Benkei’s longer weapon,
Batting it aside with ease.
Benkei grimaced as he realised
“I could never best this fellow!”
But aloud, he only growled.
“Much as I would fain continue,”
Said the Genji prince politely,
“I have made a vow to Kannon.”
With no further word to Benkei
Yoshitsune sheathed his weapon,
Stepped around and resolutely
Carried onward toward the temple.
Benkei stood alone and muddled,
In the middle of the pavement
Clutching at his naginata,
Frowning at the gateway, thinking
“I have let him slip away!”
Yoshitsune was reflecting
As he ducked within the temple,
What a bold and doughty comrade
Benkei could become if bested
And convinced to join his venture.
“Questing all alone is tiresome!”
Thought the prince of Minamoto,
“If this yamabushi tarries
Till the dawn outside the temple
I’ll disarm and lightly wound him—
Then I’ll make him swear to serve me!
I could get on so much better
With so brave a man beside me.
Glad I am I heard the rumour
Of this wild mountain monk!”
NSUSPECTING, Benkei followed,
Still intent upon the weapon.
As he passed within the Great Hall—
Filled with folk whose murmured voices
Uttered worshipful devotions,
Lit by candlelight reflected
Off the gold of many statues—
He discerned a voice familiar
That was reverently reciting
from the old, familiar prologue
Of the hallowed Lotus Sutra.
“That’s the voice of my opponent!”
Benkei thought with satisfaction.
Laying down his naginata
On the threshold of the chamber,
Rudely pushing through the people,
Saying, “Step aside, you idlers,
I’m a warden of this temple!”
Benkei strode across the floorboards
Till he reached the sutra’s source.
As he passed, the people quavered,
Saying, “What a fearsome monk!”
Benkei found himself astonished
When he stood behind the chanter,
For instead of a young warrior
Here was one dressed as a lady,
With a cloak over the head!
Now confused, but still determined,
Not to be put off so simply,
Benkei prodded at the figure
Poking deftly with his sword-sheath
As he cleared his throat to speak.
“Whether page or highborn lady,”
Benkei gruffly, stiffly started,
“I must ask that you move over—
I’m a big man, even kneeling,
And I’ve many prayers to utter
Ere this evening has its ending!”
When the figure failed to answer,
Or indeed, show any interest
In this boorish interruption,
Benkei hissed in irritation—
And then shoved with all his strength.
Yoshitsune, quick as lightning—
For the prince it was, in truth—
Rolled away with neat precision,
Causing force to dissipate
In an expert application
Of his inner martial strength.
“What a pest!” said Yoshitsune
With an air of indignation,
“Such a scruffy-looking beggar
Could as well pray in a cottage
Or beneath a spreading maple
And be heard sufficiently!
Here within Kiyomizu-dera
Pious folk and dignitaries,
Noble ministers and courtiers
From the high imperial palace
Gather humbly for devotions
And don’t like to be disturbed.
What’s the meaning of this ruckus
You’ve created by intruding?
I suggest you toddle off.”
Benkei shook his head, retorting,
“That is most unfriendly of you,
Since you’ve known me since last night!”
Saying this he sprang up nimbly—
To the crowd’s appalled displeasure—
Leaped across two mats and landed
By the side of Yoshitsune.
Seizing up the prince’s sutra,
Benkei flipped it open, saying,
“What a very handsome copy—
Is it yours, or someone else’s?”
Yoshitsune made no answer
So the monk began reciting,
Saying, “Come and read it with me!”
Benkei once had been quite famous
As the finest sutra reader
In Mount Hiei’s Western Compound.
Likewise, Genji’s prince had training
As a page on Mount Kurama.
On this night each found his equal
As the sacred words resounded
Flowing forth from each like sake—
Flowing with the Buddha’s wisdom
Flowing, like the wheel of Dharma!
Clear and sonorous and saintly.
First one read and then the other,
Sweet antiphonies creating
As the pilgrim crowd fell silent
Pious prayers no longer whispering
Little bells no longer ringing—
As they listened, struck with awe.
After reading for a while
Yoshitsune rose up, saying,
“I must speak to an acquaintance.
We shall meet again, sometime.”
Benkei shot up swift beside him
Anxious not to lose his quarry
Anxious for the sword he wanted
Not to leave his sight again.
“I was just about to hurry
Out myself—let’s go together!”
Said the giant monk abruptly—
And with that he started forward,
Pulling Yoshitsune with him
Pulling him across the floor mats
Lurching, stumbling in his hurry
As they headed toward the South Gate—
Framed with mighty cypress timbers,
Looking out on well-worn cobbles
White beneath a moon new-risen
As beneath new-fallen snow.
When they reached it, he continued:
“I’m quite earnest in my asking
For that sword you carry with you.
It’s so fine—I really want it!
Won’t you kindly give it to me?”
“I can’t do that,” came the answer
From the prince of Minamoto,
“It’s an heirloom, very ancient,
Given to me by my father,
For whose memory I battle
And whose name I strive to honour
With each stroke of that dear blade.”
“Well then, let me fight you for it!”
Fervently, the monk insisted,
“Let me win it in a contest
Fair and square, by timeworn custom,
On our sacred warrior’s honour!”
“Very well,” said Yoshitsune,
With a sigh of resignation—
Knowing well his own position,
Never fearing for his keepsake—
And the warriors drew their blades.
RISKLY now they took up stances
Circling round with wary glances
While each sought for some advantage
In their game of flashing steel.
All around them, folk were gathered
Shocked, appalled, perplexed, affronted!
Someone called in consternation
From this crowd of temple-goers,
“What’s the cause of this commotion?
Fancy, fighting in a temple—
Never mind this unfair contest!
Leave the boy alone, you brute!”
Benkei paid this no attention,
Focused fully on his target
Most unmonkishly committed
To his avaricious aim!
All at once, the Prince of Genji
Cast aside his woman’s mantle—
With a flourish let it flutter
Off his shoulders in a flash.
Now he stood, unveiled in splendour—
Burnished corselet gleaming, glorious,
Finished like a frozen fire
Silken tunic, damask-patterned,
White as snow beneath the starlight
Silver fittings finely fashioned
By the smiths of Hiraizumi
Ribbons red as Torii gateposts
Tying back his generous sleeves.
Here, revealed, stood Yoshitsune
Prince and heir to Yoshitomo
Bearer of a noble lineage,
Adept of a deep tradition
Guarded by the fearsome Tengu
High on mystic Mount Kurama
On its dreadful, dreaming slopes.
Now bystanders gasped in wonder
At this striking revelation
Crying out with fresh excitement
As they saw the scene anew.
This no longer seemed a common
Ruffian picking on a weakling,
But a strange and wondrous contest
Fought by heroes out of tales!
Ladies, children, nuns, and nobles
Scrambled now for better vantage—
Someone slipped from the veranda
In the hasty hurly-burly,
Landing sprawled out on the cobbles
In an unbecoming tumble!
Meanwhile wardens shut and bolted
All the doors into the temple
To contain the two contenders
And preserve the place from harm.
OW the prince and monk were dueling
Well in earnest, fencing ably
Trading expert blows and parries
As their steady, even footwork
Carried them across the courtyard
To Kiyomizu’s dancing platform,
Where at festivals musicians
Made the holy, ancient music
Made the songs the gods had taught them
In the mythic days of yore.
Now, as then, the throng of people
Walked around in fascination,
Walked like worshipers engaged in
Solemn circumambulation.
“Who will win?” a young man shouted,
“Will the giant gain the victory?”
“Not a chance!” called out a greybeard
With a practiced eye for swordplay,
“He’s outclassed but doesn’t know it—
He’s already getting tired.
That young fellow’s got him beaten—
He just has to wear him out!”
Hearing this outright dismissal
Uttered with such frank conviction
Benkei felt his spirit falter—
Felt his boldness start to weaken
Felt his warrior’s heart grow heavy
But he doggedly fought on!
Now his swordsmanship turned careless—
Jerking, heaving strikes like axe-blows
Chopping cordwood, clearing thickets
More than fighting with finesse.
Suddenly, the Prince of Genji
Dropped his sword and drew a fan out
From the obi at his middle—
With a crack he flashed it open,
Swiftly snapped it shut again—
Like a hummingbird he darted
Under Benkei’s hacking onslaught
Lunging with his arm extended
Drawing on the Tengu secrets
Nimbly striking with precision
At the point where lacquered plating
Left a gap in Benkei’s cuirass
Just beneath his upraised arm.
As he felt the tell-tale cracking
Of a sudden costal sundring
Benkei’s breath escaped his body
Like a rushing, furious windstorm,
Bulging eyes like Bodhidharma’s
Gazed in outrage at his rival,
Gazed with eyes uncomprehending—
In an instant he’d been beaten,
By a folding lacquer fan!
With a grunt, he dropped his weapon,
Clutched at where his rib had broken,
Sank dejectedly to kneel at
Yoshitsune’s sandaled feet.
Cheers and shouts burst from the people
Gathered round to watch the contest,
Knowing they had seen a marvel
Long to be remembered here!
Now the prince of Genji smiled,
Put away his fan with care,
Stooped to pluck his heirloom sword from
Where he’d dropped it at the last.
He regarded his opponent
With a gaze direct and cordial,
Now respectfully he nodded,
And with courtesy, he spoke.
“Ever since we met last evening,
You have had a misconception
As regards my name and family—
I should like to set it straight.
First, you thought I was a Heike,
But you never asked for my name,
Though at once you told me yours.
Let me clarify the matter
Ere our converse carries further:
I’m a loyal son of Genji—
Minamoto Yoshitsune,
Youngest son of Yoshitomo,
Murdered hero of our clan.
I assure you, worthy Benkei,
I bear no love for the Taira,
But am sworn to rid this country
Of their foul, pernicious rule.”
“What say you?” asked Yoshitsune,
“Will you follow as my liege-man?
Will you join me as retainer
In my quest against the Taira—
Serve beside me in the battle
To restore the Genji’s glory?
Serve beside me as I seek to
Make our homeland whole again?”
ENKEI’s mind was in a tangle
When the prince had started speaking
Now, illumination pierced him
Like a sudden, sharp, satōri!
Clear as sunlight now his path was,
Clear as sunlight on the meadow
Clear as sunlight chasing storm clouds
From the brilliant, endless heavens!
He would follow Yoshitsune
Through the gates of dread Jigoku—
No more quiet meditation
In a monastery cloister
Meant for meeker men than Benkei,
Not so wild or impulsive—
Here, at last, he’d found a master
In whose service he could flourish!
Now an unaccustomed smile
Crept across his wondering face,
And almost he started laughing—
But then felt his ribs, and winced.
Feeling suddenly lightheaded,
Benkei slumped down to the ground,
And from this abject position
He called up to his new lord.
“This is karma!” he said simply,
As he nodded his ascent.
“I will serve you till I perish,
Or until your quest is done.”
Soon the gathered pilgrims scattered
Since the show had reached its ending—
To their homes, or back to praying
In the lamplit temple hall.
Yoshitsune hoisted Benkei
From the place where he had fallen,
Then, before the sun had risen,
Went with him to Yamashina
Where they waited, while he mended
And together made their plans.
EPILOGUE
HAT is how, O Gentle Reader,
Yoshitsune’s bravest comrade
Came to enter in his service
At the outset of his journey.
Benkei followed his new master
Faithful as his own dear shadow,
Doing gallant deeds unnumbered
In the war against the Heike.
Three years later, at the ending
He it was who, ever loyal,
Stood and fell beside his master
By the swift Koromogawa.
ABOUT THE AUTHOR: Alex J. Taylor was born in Upstate New York and lived for many years in Middle Tennessee, where he studied Moral Philosophy at New College Franklin and English Literature and Medieval Studies at Middle Tennessee State University. He now resides in Northern Virginia with his wife and two sons, teaching literature and Latin at a classical Christian school.
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